pragmata-gallery:

"Doll’s Nest"
Ceramics Naotsugu Yoshida.

「人形のネスト」
陶器 吉田直嗣。

(via artpropelled)

dezeen:

Tham & Videgård's Husarö House is a scenic retreat on the Stockholm archipelago » dezeen:

Tham & Videgård's Husarö House is a scenic retreat on the Stockholm archipelago » dezeen:

Tham & Videgård's Husarö House is a scenic retreat on the Stockholm archipelago » dezeen:

Tham & Videgård's Husarö House is a scenic retreat on the Stockholm archipelago » dezeen:

Tham & Videgård's Husarö House is a scenic retreat on the Stockholm archipelago »
likeafieldmouse:

Gustave Caillebotte - The Floor Scrapers (1875-6)
Original on top, later version below
"Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’ 
The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”. likeafieldmouse:

Gustave Caillebotte - The Floor Scrapers (1875-6)
Original on top, later version below
"Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’ 
The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.

likeafieldmouse:

Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

"Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’ 

The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.

userdeck:

Blacksmith’s workshop.

oceanprimitive:

Yunomi collection by Ootani Kosakushitsu

oceanprimitive:

Yunomi collection by Ootani Kosakushitsu

(via artpropelled)

cinoh:

Jannis Kounellis
cinoh:

Jannis Kounellis
cinoh:

Jannis Kounellis
cinoh:

Jannis Kounellis
cinoh:

Jannis Kounellis

artpropelled:

antique and from papua, ~ used for storing medicine

nevver:

Chance of Thunderstorms nevver:

Chance of Thunderstorms nevver:

Chance of Thunderstorms
enochliew:

Maison aux Jeurs by Lacroix Chessex
Lifted on a concrete pedestal to protect the timber cladding.   enochliew:

Maison aux Jeurs by Lacroix Chessex
Lifted on a concrete pedestal to protect the timber cladding.   enochliew:

Maison aux Jeurs by Lacroix Chessex
Lifted on a concrete pedestal to protect the timber cladding.  

enochliew:

Maison aux Jeurs by Lacroix Chessex

Lifted on a concrete pedestal to protect the timber cladding.